Erika Blumenfeld

Erika Blumenfeld
Erika Blumenfeld will serve as the Arthur L. and Sheila Prensky Island Press Visiting Artist for spring 2021, Her residency will be fully remote, taking place January 25-April 30. She will deliver an online lecture at 6p March 22 as part of the Sam Fox School Public Lecture Series; the event is free, and registration information is available through the link.

Blumenfeld (b. 1971, USA) is a transdisciplinary artist whose practice is motivated by the wonder of natural phenomena and the relationship between nature and culture. Blumenfeld approaches her work like an archivist, driven by a passion to trace and collect the evidence and stories of connection across the cosmos. Her non-traditional research-based practice has led her to examine a range of subjects including astronomy, geology, planetary science, ecology, the environment, anthropogenic climate disruption, natural night sky preservation, and light in its many forms. Blumenfeld often works in collaboration with scientists and research institutions, including NASA, Scripps Institution of Oceanography, McDonald Observatory, and the South African National Antarctic Program. The photo- and video-based works, installations, paintings, drawings, sculptures, writing, and data science visualizations that result from her artistic investigations are the artifacts that depict her inquiries' reflections and weave an equally conceptual and formalist intent.

Blumenfeld is a Guggenheim Fellow, Smithsonian Fellow, and recipient of a Rauschenberg Foundation Artist-in-Residence, a NASA research grant, and a Creative Capital Award. She has exhibited widely in the United States and abroad, including the Albright Knox Art Gallery, New Mexico Museum of Fine Arts, Nevada Museum of Art, Ballroom Marfa, Färgfabriken Norr, Galerie der Stadt Mainz, Kunstnernes Hus, Portland Institute for Contemporary Art, Rice University, and TATE Modern, among others. Her work is featured in many books and publications, including Art and Ecology Now (Thames & Hudson, 2014) and The Polaroid Book (Taschen eds. 2005 & 2008) and resides in national and international permanent collections such as Albright-Knox Art Gallery, Lannan Foundation, Museum of Fine Arts Houston, New Mexico Museum of Art, Scottsdale Museum of Contemporary Art, and University of Texas at Austin (McDonald Observatory Collection). Blumenfeld is currently an artist-in-residence at NASA, where she is leading a team to create Astromaterials 3D, the newly launched interactive virtual library of NASA’s Apollo Lunar and Antarctic Meteorite collections for researchers and the public. She lives and works in Houston, Texas.

Image credit: Astromaterials 3D is an information-rich visualization tool that combines high-resolution photography, structure-from-motion photogrammetry, and X-ray computed tomography.

Editions/Artists' Books Fair 2020, October 14-28, Online

Check out Island Press' online booth at the Editions/Artists’ Books Fair. Renowned for its cultivation of an international community of publishers, the E/AB Fair presents a thoughtfully curated exhibition of works by hundreds of emerging and established artists and an informative program of talks. For the fair, Island Press is featuring editions by Duane Slick, David Humphrey, Enrique Martinez Celaya, Lisa Anne Auerbach, and Dario Robleto.

Barber Awarded Island Press Artist Research Fellowship

Barber has been named the recipient of the 2020 Island Press Artist Research Fellowship. Due to the COVID-19 pandemic, his residency will be rescheduled for June 2021.

Barber uses interdisciplinary art practices to articulate various testimonies within and surrounding Black America. Recent awards include a 2019 MAP Fund grant, a Fontenelle Forest Fellowship, The Union for Contemporary Art Fellowship, a Stanley Award grant from the University of Iowa, and the Alonzo Davis Award from Virginia Center for Creative Arts. Selected exhibitions include Fontenelle Forest (Omaha, NE), Englert Theatre (Iowa City, IA), Museum of Science (Chicago), Public Artwork on Atlanta BeltLine (Atlanta, GA), Rialto Theatre (Atlanta, GA), C4 Atlanta (Atlanta, GA), Lexington Theatre (Kentucky), Mason Murer Gallery (Atlanta, GA), Gallery 4731 (Detroit, MI), and Levitt Gallery (Iowa City). Barber graduated cum laude from the MFA program at the University of Iowa in 2016. Learn more about his work at:

Image: Dead or in Jail, mixed media on paper, 72 x 111 inches, 2019.

Open House on January 25

Stop by the Island Press Open House from 4-8p on January 25 to see our new space in Bixby Hall, along with editions and works in progress by recent visiting artists such as Diane Victor, Enrique Martínez Celaya, Benjamin Edmiston, Lisa Anne Auerbach, and Duane Slick.

Michael Joo

Michael Joo will serve as the Arthur L. and Sheila Prensky Island Press Visiting Artist for spring 2020. He will speak at 6p February 3 as part of the Sam Fox School Public Lecture Series.

Born in Ithaca, New York, in 1966, Joo studied art at Washington University in St. Louis (BFA89) and at Yale School of Art (MFA91). He has been based in New York since 1991. Since then he has had numerous solo and group gallery and institutional exhibitions of his work, including at The Menil Collection, Serpentine Gallery, Whitney Museum of American Art, Rodin Gallery (Samsung Foundation), Haus der Kulturen der Welt, MIT's List Visual Arts Center, and the Freer|Sackler Galleries of the Smithsonian Institution, among others.

In his work, Joo combines and contrasts materials from nature and culture to question form and material, further asking fundamental questions about identity and the human condition, such as: "of what are we made; how do we relate to our environment; and, are we a part of, or apart from nature?"

In 2001 Joo and Doho Suh represented Korea at the Venice Biennale, and Joo was a co-recipient of the grand prize at the 2006 Gwangju Biennial. His works are held in numerous public collections around the world, including the Brooklyn Museum, Denver Art Museum, Frances Young Tang Teaching Museum and Art Gallery, Guggenheim Museum, Harvard Art Museums, Savannah College of Art and Design, the Israel Museum, Moderna Museet Stockholm, UCLA Hammer Museum, and Walker Art Center. He has written reviews and essays for numerous art magazines and publications, and had several monographs of his artwork published, including one from of his 2016 exhibition at Blain|Southern, London, as well as a recent catalog from his 2018 show at Kukje Gallery. He has curated exhibitions over the years, from Deterritorialization of Process (2000) at Artists Space in New York, to Too Full to Cry (2019) at Shin Gallery, New York.

Awards include a United States Artists Fellowship in 2006, and a John Simon Guggenheim Memorial Foundation Fellowship in 1998. Joo currently teaches at Columbia University School of the Arts and Yale School of Art.

Image credit: Michael Joo, Reliquished (91935.63), 2017. Silver nitrate and epoxy ink on paper, 60" x 80".

Duane Slick

Painter Duane Slick will serve as the Arthur L. and Sheila Prensky Island Press Visiting Artist for fall 2019. He will speak at 6:30p November 4 as part of the Sam Fox School Public Lecture Series.

Slick's acrylic paintings blend the subjects of oral and visual Native American traditions with a focus on trickster strategies and modernist/post-modernist painting histories. His black-and-white series of Amercian flag0based paintings (2010-2012), titled The Untraceable Present, explored the contradictions and legacies of Native American identity in the grand narratives of American history. His recent work ruminates on the existence of metaphysical economies through visual schematics and the visual influences of pattern designs from the woodland nations of the northeast.

Born in Waterloo, Iowa, Slick earned his BFA from the University of Northern Iowa and his MFA from the University of California, Davis. He taught at the Institute of American Indian Arts in Santa Fe from 1992-95 and is currently a professor of painting at the Rhode Island School of Design. Slick has lectured at colleges and universities across the United States, and his work has been exhibited widely, most recently in a national touring exhibition titled Native Art NOW!, organized by the Eiteljorg Museum in Indianapolis, and in Culture Shift: Contemporary Native Art Bienniel at Art Mur in Montreal. His work is included in the collections of the National Museum of the American Indian, The Decordova Museum, and the Peabody Essex Museum, among many others. Slick is currently represented by the Albert Merola Gallery in Provincetown, Massachusetts.

Image credit: The Great Black Cloud, 22 x 30, monotype on Arches, 2018.

EXPO Chicago, September 19-22, 2019

Check out Island Press at Booth 435 of EXPO Chicago, an international exposition of contemporary and modern art. The Press will be featuring new and recent editions by Lisa Anne Auerbach, Benjamin Edmiston, Diana Guerrero-Maciá, David Humphrey, and Dario Robleto.

David Humphrey

New York artist David Humphrey will be participating in a one-day workshop with Island Press on February 5. Humphrey has received a Guggenheim Fellowship and the Rome Prize, among other awards, and has shown his work nationally and internationally. An anthology of his art writing, Blind Handshake, was published by Periscope Publishing in 2010. He teaches in the MFA programs at Columbia University and is represented by the Fredericks & Freiser Gallery, New York.

Humphrey will deliver the Henry L. and Natalie E. Freund Visiting Artist Lecture at 6:30p February 4 in Steinberg Auditorium; view the livestream here>>

Editions/Artists’ Books Fair, October 25-28, New York

Check out Island Press at Booth #38 of the Editions/Artists’ Books Fair, which will bring together exhibitors from around the United States and the world. For the fair, Island Press is featuring new editions by Lisa Anne Auerbach, Leah Beeferman, Diana Guerrero-Maciá, and Beverly Semmes.

Arthur L. and Sheila Prensky Island Press Visiting Artist for fall 2018: Enrique Martínez Celaya

Enrique Martínez Celaya will serve as the Arthur L. and Sheila Prensky Island Press Visiting Artist from September 17 through 21, 2018. He will speak at 6:30p September 17 as part of the Sam Fox School Public Lecture Series.

Martínez Celaya is an artist and former scientist whose work has been exhibited and collected by major institutions around the world, as well as the author of books and papers in art, poetry, philosophy, and physics. He has created projects and exhibitions for the State Hermitage Museum (St. Petersburg, Russia), The Phillips Collection (Washington D.C.), and the Museum der bildenden Künste Leipzig, among many others, as well as for institutions outside of the art world, including the Berliner Philharmonie, the Cathedral Church of Saint John the Divine (New York), and the Dorotheenstadt Cemetery (Berlin). His work is held in public collections internationally, including the Metropolitan Museum of Art; the Los Angeles County Museum of Art; the Whitney Museum of American Art; the Moderna Museet (Stockholm); The Museum of Fine Arts, Houston; Museum der bildenden Künste Leipzig; and the Wadsworth Atheneum Museum of Art (Hartford, Connecticut).

Martínez Celaya was born in Cuba and raised in Spain and Puerto Rico. He initiated his formal training as an apprentice to a painter at the age of 12 and developed what became an enduring interest in writing and philosophy in the turbulent Puerto Rican cultural and political environment of the 1970s. He earned a Bachelor of Science in Applied Physics with a minor in Electrical Engineering from Cornell University, and a Master of Science with a specialization in Quantum Electronics from the University of California, Berkeley, where he was a Regents Fellow. He conducted part of his graduate research at Brookhaven National Laboratory, and while there, he painted the Long Island landscape.
He has published scientific papers on superconductivity and lasers and is the inventor of several patented laser devices. He has lectured at venues around the world including the New York Public Library, the American Academy in Berlin, and the Aspen Institute. He is an artist advisor at the Anderson Ranch Arts Center and previously served on its Board of Trustees.

Martínez Celaya has worked in collaboration with scientists, entrepreneurs, writers, musicians, and architects, including the Canadian rock-band, Cowboy Junkies, the poet and Nobel-Prize-winning chemist Roald Hoffmann, and the novelist Mary Rakow.

Image credit: Enrique Martínez Celaya, Installation of The Mirroring Land, Galerie Judin, Berlin, Germany, 2017. From left: The Wanted Freedom (Black Milk), 2017. Oil and wax on canvas. 92 x 118 in. The One Who Stayed (Milk), 2017. Oil and wax on canvas. 92 x 118 in.

2018 Island Press Emerging Artist Fellow: Benjamin Edmiston

Brooklyn-based artist Benjamin Edmiston has been selected as the 2018 Island Press Emerging Artist Fellow. He will work in residence June 25-29, producing a print project facilitated by master printer Tom Reed and the Island Press summer interns. Follow Island Press on Facebook for updates.

Edmiston earned his BFA from Tyler School of Art and his MFA from Brooklyn College. He has shown throughout the United States and abroad, including at David Shelton Gallery (Houston), Cuevas Tilleard Projects (New York), Charlotte Fogh Gallery (Aarhus, Denmark), Left Field Gallery (San Luis Obispo, California), and Vox Populi Gallery (Philadelphia). His work has been published in The Age of Collage: Contemporary Collage in Modern Art, New American Paintings #104, and New American Paintings #93.

Image credit: Benjamin Edmiston, Match, oil on canvas, 23 x 19 inches, 2017.

Diane Victor: Spring 2018 Visiting Artist

Diane Victor, a major figure in the South African and international art communities, is the Arthur L. and Sheila Prensky Island Press Visiting Artist for spring 2018. She spoke at 6:30p February 5 as part of the Sam Fox School Public Lecture Series.

Victor is renowned for her expert printmaking and draughtsmanship. Her drawings and prints are known for their technical skill and compulsive linear detail, as well as for their sharp political and social commentary and satire. Her works often draw from global historical and mythological references, and speak of the social and political inequalities and complexities of South Africa. Violence, racial anxiety, and sexual repression are ideas commonly represented in the works. Combining both thematic and technical skill, Victor impresses powerful ideas on the viewer, never shying away from controversial or taboo subject matter.

Victor earned her BA Fine Arts Degree from the University of the Witwatersrand in Johannesburg with a major in printmaking. She became the youngest recipient of the Volkskas Atelier Award in 1988, awarding her a ten-month stay at the Cité International des Artes in Paris. Since 1990, Victor has been a part-time lecturer, teaching drawing and printmaking, at various South African institutions including the University of Pretoria, Wits Technikon, Pretoria Technikon, Open Window Academy, Vaal Triangle Technikon, the University of the Witwatersrand, Rhodes University, and the University of Johannesburg. 
In late 2012 and early 2013 she completed a residency in China.

Victor's works are included in many collections, including the Smithsonian Institution's National Museum of African Art, the Metropolitan Museum of Art (New York), the Museum of Modern Art (MoMA), the New York Public Library, the Baltimore Museum of Art, and the Minneapolis Institute of Art, among others.

Image credit: Diane Victor, Hyena Dog, 2017. Smoke on paper. 24 x 19 in. Image courtesy of David Krut Projects.

UNTITLED Art Fair, December 6-10, 2017, Miami Beach

Visit Island Press at Booth A24 of UNTITLED, an international, curated art fair that focuses on curatorial balance and integrity across all disciplines of contemporary art. For the fair, Island Press is featuring works by Radcliffe Bailey and Dario Robleto.

EXPO Chicago, September 13-17, 2017

Check out Island Press at Booth 859 of EXPO Chicago, an international exposition of contemporary and modern art. The Press will be showing works by Orly Genger, among others.

Lisa Anne Auerbach: Fall 2017 Visiting Artist

Lisa Anne Auerbach is serving as the Arthur L. and Sheila Prensky Island Press Visiting Artist for fall 2017.

Auerbach engages ideas about self-publishing and other modes of communication. Her sweaters, publications, and photographs have been shown in museums, galleries, cooperative bicycle repair shops, and kunsthals, and on vacant desert lots, internationally, including solo exhibitions at Malmö Konsthall in Sweden (2012); American Philosophical Society Museum and Philagrafika2010: Out of Print in Philadelphia (2010); Nottingham Contemporary in the United Kingdom (2009); University of Michigan Museum of Art (2009); Aspen Art Museum in Colorado (2008); Printed Matter in New York (2009); and CPK Kunsthal in Copenhagen (2006). Her work was also included in the Whitney Biennial 2014, Parasophia: Kyoto International Festival of Contemporary Culture 2015, and Nine Lives: Visionary Artists from L.A. at the Hammer Museum in 2009. She has self-published numerous magazines, including American Megazine, Saddlesore, and American Homebody, among others. Her knitting patterns are currently up at the Beverly Center.

Auerbach's public art commissions have included a tile wall at Malmöfest in Malmö, Sweden; a path at Beloit College; billboards in Cincinnati; and 1,000 feet of wallpaper at the Beverly Center Mall.

She earned a BFA from Rochester Institute of Technology and an MFA from Art Center College of Design. She received a 2007 California Community Foundation Fellowship for Visual Artists, a 2009 Louis Comfort Tiffany Foundation Award, 2012 and 2016 MacDowell Colony Fellowships, and a 2012 City of Los Angeles Department of Cultural Affairs Individual Artist COLA Grant.

Auerbach is the co-proprietor of the backyard space The Meow, which shows small businesses run by artists. She is an associate professor of art at Pomona College.

Image credit: Lisa Anne Auerbach, installation view of Beverly Center, 2017 (900 linear feet of knitting patterns installed in the mall).

Island Press at Baltimore Contemporary Print Fair April 1-2

Island Press is participating in the 2017 Baltimore Contemporary Print Fair, which takes place April 1-2 at the Baltimore Museum of Art. Stop by Booth 10 to view new and recent editions by Orly Genger, Beverly Semmes, and Paula Wilson. Island Press will also feature one of the 2013 editions it published with James Siena, the featured speaker at the fair.

This invitational, biennial fair will feature work from 20 vendors from around the United States, offering an opportunity to talk to printers and gallerists and to purchase artworks. The fair is free for museum members, students, and teachers with valid ID. Tickets for non-members are $15 for both days or $10 for one day. Fair hours are 10a-8p April 1 and 10a-5p April 2.

Diana Guerrero-Maciá: Spring 2017 Visiting Artist

Diana Guerrero-Maciá served as the Arthur L. and Sheila Prensky Island Press Visiting Artist for spring 2017; check out the Island Press Facebook page for updates on her work.

Guerrero-Maciá works within the expanded fields of painting, textiles, and design and believes craft is a way of thinking. She has exhibited nationally and internationally, created several public art commissions, and received multiple grants and residencies, including a Louis Comfort Tiffany Foundation Award and two fellowships at the MacDowell Colony. Selected solo exhibitions include the Museum of Contemporary Art, Chicago and the Contemporary Art Museum St. Louis. Additional exhibitions include Elmhurst Art Museum (Chicago), Sonoma Valley Museum of Art (California), Loyola University Museum of Art (Chicago), and the Bronx Museum.

Guerrero-Maciá studied and was awarded fellowships at both Skowhegan School of Art and Penland School of Craft. She holds an MFA from Cranbrook Academy of Art and BFA from Villanova University. She is currently an associate professor at the School of the Art Institute of Chicago. She lives in Chicago with her husband and son, who both love riding bicycles with her.

Image credit: Diana Guerrero-Maciá, Collapsing Into One, 2012-2016. Wool, cotton, canvas, vinyl, and dye on Belgian linen, 3453, 60 x 48 inches.

Michael Williams Update

Artist Michael Williams' spring 2017 residency at Island Press has been canceled due to unforeseen circumstances.

UNTITLED Art Fair, November 30-December 4, Miami Beach

Check out Island Press at Booth D29 of UNTITLED, an international, curated art fair that focuses on curatorial balance and integrity across all disciplines of contemporary art. For the fair, Island Press is featuring new editions and projects with Paula Wilson and Beverly Semmes, as well as prints by Lisa Sanditz.

Dario Robleto: Fall 2016 Visiting Artist

Houston-based artist Dario Robleto is the Arthur L. and Sheila Prensky Island Press Visiting Artist for fall 2016. In conjunction with his residency, he delivered a Public Lecture Series talk titled The Pulse Armed With a Pen: An Unknown History of the Human Heartbeat on September 19. Part storytelling, original research, and rare sound archive, The Pulse Armed With a Pen: An Unknown History of the Human Heartbeat weaves together topics as diverse as the earliest attempts to record the heartbeat as sound and image, the heartbeat and brainwave recordings currently on a probe heading for the edge of the solar system, pre-Edison sound recordings, and recent developments in the history of the artificial heart. The result is a creative intertwining of multiple histories of human exploration, in both outer and inner space.

Born in San Antonio in 1972, Robleto earned his BFA from the University of Texas at San Antonio in 1997. Robleto has had numerous solo exhibitions since 1997, most recently at the Menil Collection in Houston (2014), the Baltimore Museum of Art (2014), the New Orleans Museum of Art (2012), and the Museum of Contemporary Art Denver (2011). In 2008, a 10-year survey exhibition, Alloy of Love, was organized by the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College; accompanied by a major monograph, the show traveled to the Frye Art Museum in Seattle.

Notable group shows include Explode Every Day: An Inquiry into the Phenomena of Wonder at MASS MoCA (2016), SITE: 20 Years / 20 Shows at SITE Santa Fe (2015), Nouveau Festival 5th Edition at Centre Pompidou in Paris (2014), The Record: Contemporary Art and Vinyl at the Nasher Museum of Art at Duke University (2011), The Old, Weird America at the Contemporary Arts Museum Houston (2008), and Whitney Biennial at the Whitney Museum of American Art in New York (2004).

Robleto has been a visiting artist and lecturer at numerous universities and institutions including Bard College, Massachusetts Institute of Technology, Rhode Island School of Design, and the Hubble Space Telescope Science Institute. In 2013-14 he served as the Viola Frey Distinguished Visiting Professor at the California College of the Arts.

Honors and awards include the International Association of Art Critics Award for best exhibition in a commercial gallery at the national level (2004), the Joan Mitchell Foundation Grant (2007), and the USA Rasmuson Fellowship (2009). Robleto has been a research fellow and resident at institutions such as the Menil Collection (2014), the Cynthia Woods Mitchell Center for the Arts (2014), Rice University (2013-14), and the Smithsonian Institution's National Museum of American History (2011).

In 2015 Robleto joined a distinguished team of scientists as the artistic consultant to "Breakthrough Message," a multinational effort that aims to encourage intellectual and technical debate about how and what to communicate if the current search for intelligent beings beyond Earth is successful. He is currently serving as an Artist-in-Residence in Neuroaesthetics at the University of Houston's Cullen College of Engineering and at the SETI Institute in Mountain View, California. In 2015, he also joined the board of directors of Artspace in San Antonio. He was recently appointed the 2015-16 Texas State Visual Artist 3D.

Image credit: Dario Robleto, Setlists for a Setting Sun (Dark Was the Night) (detail), 60" x 45 1/2" x 45 1/2", 2014. Cyanotypes, prints, watercolor paper, butterflies, butterfly antennae made from stretched audiotape of Blind Willie Johnson's Dark Was the Night (recorded 1927, launched on Voyager I probe in 1977), various cave minerals and crystals, homemade crystals, coral, nickel plated sea urchin shells, sea urchin teeth, various seashells, beetle wings, ocean water, pigments, cut paper, mica flakes, feathers, mirrors, plastic and glass domes, audio recording, digital player, headphones, wood, and polyurethane. Photo credit: Thomas R. DuBrock.

Inaugural Island Press Emerging Artist Fellow: Leah Beeferman

As the winner of the inaugural Island Press Emerging Artist Fellowship, Leah Beeferman worked in residence at Island Press from June 6-10. In her digital, video, and sound work, the New York City-based artist creates relationships between the physical, natural world and the immateriality of digital and experiential space. For her Island Press project, she explored how—or if—the material processes of printmaking could translate the quality of immateriality typically present in her digital work. Collaborating with master printer Tom Reed, director Lisa Bulawsky, and the Island Press summer interns, Beeferman played with the idea of the print surface and ways to make flat shapes feel like they were suspended in a space deeper than the paper. Specifically, she worked with digitally printed forms alongside stenciled or print-made forms to play with what is material, what is done by hand, and what is mechanical. By the end of the week, they developed three prints that each question materiality and the digital in the realm of the handmade print, using Beeferman's unique vocabulary of forms and colors. To view photos from her residency, visit the Island Press Facebook page>>

Beeferman earned her BA from Brown University and her MFA from Virginia Commonwealth University, and has participated in numerous residencies, including LMCC Workspace (New York), The Arctic Circle (Svalbard), SIM (Reykjavik), Experimental Sound Studio (Chicago), Sirius (Ireland), Kökarkultur (Finland), and Diapason (New York). She recently had a solo show, Strong Force, at Rawson Projects in New York. This winter, she traveled to Finland as a Fulbright Scholar. She co-runs Parallelograms, an ongoing online artist project.

Image credit: Leah Beeferman working in residence at Island Press, June 2016.

Beverly Semmes: Spring 2016 Visiting Artist

New York-based artist Beverly Semmes served as the Arthur L. and Sheila Prensky Island Press Visiting Artist for spring 2016. In conjunction with her residency, which took place in late February, she delivered a Public Lecture Series talk.

Semmes experiments across a wide variety of media, creating sculptures in clay, fabric, and glass, drawings, performances, photography, and video that explore relationships between craft and fine art, and between pleasure, gender, and desire. In the early 2000s, she began The Feminist Responsibility Project (FRP), which, at its heart, features hundreds of drawings on pornographic magazine pages. Responding to pages from magazines such as Hustler and Penthouse, Semmes creates rough gestural marks that both conceal and reveal the women's bodies in their seductive poses. Imagine a committee of rogue censors responding to pornographic imagery. They blot out the literal; what is left behind and altered now speaks in a different voice.

Semmes has had numerous solo museum shows, including major exhibitions at the Museum of Contemporary Art Chicago; the Hirshhorn Museum (Washington DC), and the Wexner Center for the Arts (Columbus, Ohio). Her work is included in the collections of the Albright-Knox Art Gallery (Buffalo, New York), the Hirshhorn Museum, the Whitney Museum of American Art (New York), the Denver Art Museum, and the Museum of Contemporary Art, Los Angeles.

Image credit: Beverly Semmes: FRP, installation view, 2015, Weatherspoon Art Museum, Greensboro, NC.

Special project with Ann Hamilton at Untitled

As part of Untitled, which took place December 2-6 in South Beach, Miami, Island Press collaborated on a special project with artist Ann Hamilton—a continuation of (signal), which began in 2010 when Hamilton was the inaugural Arthur L. and Sheila Prensky Island Press Visiting Artist. (signal) (2010-2015) consisted of offset-printed sheets of newsprint bound into pads. The images featured different moments within the single wave of a hand—waving is how we signal at a distance greater than the voice—and a concordance of texts by John Keats and Charles Darwin. The newsprint pads were torn off one sheet at a time by visitors to Island Press' booth; these giveaway prints made tangible the idea of direct communicative connection. #untitledartfair

Image credit: Ann Hamilton, detail, (signal), 2010-2015, 34"x44". Offset lithography on newsprint, alumnium, 2015.

Island Press Honored at Baltimore Contemporary Print Fair

Island Press won the Artists and Editions Award at the 2015 Baltimore Contemporary Print Fair.